Aamir Khan discusses happiness with Gauri Spratt, the impact of past marriages, and a renewed focus on balance between personal life and career.

Industry reports indicate Aditya Dhar is developing a fresh concept for a new film with Ranveer Singh, with production eyed for March 2027 and formal details forthcoming.

Updates on Raaka show Deepika Padukone's role unchanged while action sequences are performed by a body double; filming continues alongside other project schedules.

Mirzapur The Film marks a cinematic chapter for the franchise with a large scale production, grounded tone and a planned September 2026 release.

Farhan Akhtar discusses the Don 3 controversy, Ranveer Singh's exit, and production delays, highlighting lessons on handling uncertainty in cinema.

TWS releases NO TRAGEDY a six track mini album anchored by You You, blending boyhood pop with house, hip-hop and rock influences, achieving strong pre-orders and global streaming

First Ray Films unveils a six-film slate for 2026-2028, emphasising director-led storytelling, cross-border collaborations and broader distribution at the Marche du Film during Cannes.

India House features Saiee M Manjrekar in a meticulously designed pre-independence era drama produced by Ram Charan, emphasising authentic look, mood, and craft.

Diljit Dosanjh is set to showcase Punjabi music and cinema on The Tonight Show Starring Jimmy Fallon, highlighting Punjabi culture to a global audience.

The National Commission for Women questions Sanjay Dutt over alleged obscenity in the song Sarke Chunar Teri Sarke, examining representation of women in mainstream entertainment.

Deepika Padukone and Ranveer Singh were spotted at Mumbai airport as they navigate privacy and public interest following their announcement of a second pregnancy.

Veteran Indian actor Bharat Kapoor dies aged 80 after a cardiac arrest at home; obituary outlines his film career, notable roles and the funeral tributes from colleagues and family.

Rashmika Mandanna pursues rigorous martial arts training for Mysaa, signaling a shift to a darker, action driven role alongside planned upcoming films.

Sanjay Leela Bhansali’s Love & War advances with a 15-20 day early May song schedule featuring Ranbir Kapoor, Vicky Kaushal and Alia Bhatt on grand set pieces.

Karnataka High Court accepts Ranveer Singhs unconditional apology in the Kantara mimicry row, with a temple visit assurance and potential case closure pending affidavit verification.

A timely film exploring pesticide farming, regulatory gaps, and the human impact of chemical misuse, highlighting health, safety and accountability across India.

Sai Pallavi makes her Hindi debut in Ek Din, a romantic drama produced by Aamir Khan. The film reimagines One Day, with insights from the promotional event and cast.

Karl Urban discusses how The Boys grew from a niche superhero drama to a global hit as Season 5 streams on Prime Video with weekly releases across multiple languages.

Preity Zinta visits a Hanuman temple in New Delhi after Punjab Kings defeated Delhi Capitals, reflecting her IPL support and upcoming Lahore 1947 project.

Riteish Deshmukh condemns Bageshwar Baba's remarks on Shivaji Maharaj, highlighting concerns over depictions of the Maratha ruler amid ongoing debates around Raja Shivaji.

Karan Johar argues that paid publicity in Hindi cinema obscures genuine audience reaction and urges Bollywood to rely on film quality rather than paid campaigns.

Awarapan 2 advances with a new director, Emraan Hashmi returning, and plans for a major release amid a potential box office clash with Lahore 1947.

The Anti Narcotics Cell will file a supplementary chargesheet focusing on other accused while celebrities Shraddha Kapoor, Siddhant Kapoor, Nora Fatehi, Orry and Zeeshan Siddique are not named, pending new evidence.

Rakesh Bedi dismisses online chatter of a one crore bonus after Dhurandhar 2, confirming no extra payment in his records amid ongoing discussion of the film.

Explains Annu Kapoor's remark on Tamannaah Bhatia, its context, intent, and the ensuing debate over language and perception in public commentary.